Glasgow in January: The Bothy Band & Altan

That wise and great song-writer, Paul Simon, said that “music is forever; music should grow and mature with you, following you right on up until you die”. I’m not sure if in these words he referred to the music he made or if he was talking about the music he loved. I know the two are likely not quite the same; I’ll assume the later and bolt on a, “hear, hear!”. So, to be clear, I agree: music should grow and mature with you.
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Halloween Bagpipes

It’s All Hallow’s eve and shenanigans and candy-collecting have been going on for hours all over the world where Halloween is marked. Here, a stash of chocolate bars sit in wait the first knock at the door in, I’d guess, less than two hours.
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John Wilson’s Finest Tune: Tom Kettles

In his autobiography, “A Professional Piper in Peace and War” (1979), John Wilson wrote that he considered his composition, the six-parted reel, Tom Kettles, his “finest composition”. It’s a technically tricky tune, full of interest – and original melody. As I’ve mentioned before, for me it straddles the line between hornpipe and reel, with maybe the reel vibe edging out that of the hornpipe by a hair. It’s a happy-sounding tune with a bright and lyrical – almost song-like – quality to it.
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Invented by pipers: Competition 2/4 Marches

Here’s a couple of tunes that number among my favourite: Inveran, made by one of the greatest pipers – dare I say musician – to ever live, George Stewart McLennan and Millbank Cottage by William Dumbreck, a man who held the title of Pipe Major in two regiments: The Black Watch and The Royal Scots.

This style of tune – intricate and heavily embellished with many technical figures – is a branch of pipe music that we can safely say was invented by pipers. Pipers love strathspeys but we know they were born of the fiddle. Jigs? Who knows but they likely sprung from any number of fiddlers, whistle-players and nimble singers of puirt à beul.
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MacCrimmon’s Sweetheart with Canntaireachd

A piece of music that is in the back pocket of most experienced players of piobaireachd is the tune, Maol Donn. Better known, maybe, as “MacCrimmon’s Sweetheart”. It’s a beautifully assembled composition that sits perfectly in a major key of the Great Highland Bagpipe’s tonal centre. In the context of piobaireachd composition, it’s a very old tune, likely composed in the early part of the 18th century, a golden age of piobaireachd creation. At around 12 minutes in length it’s just-right for an around-the-games sort of tune for competition.
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Antigonish 1996: Not all 3-pace rolls

Among my stash of digitised VHS video is a good few hours of footage from the Peel Regional Police Pipe Band of my time as Pipe Major. The band then – as it is today, it seems to me – was well-travelled. With the exception of my first season (Antigonish!) we hit the World Pipe band Championships in Glasgow every year. In fact, its amazing to say now, as I think back, we even managed to make trips to Scotland for championship contests TWICE in the same season (Ayr and Renfrew) – to be clear: the band travelled to Scotland twice in the same summer. The commitment from this group was remarkable. It doesn’t take much thinking to reflect on the sacrifice members (and their families) made financially. And, for that matter, its true, so many bands do today – though – I, wonder, as a by-the-way, if that is diminishing a little.
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D R MacLennan: Solo piping innovation in 1928!

On the last day of the calendar year I offer a genuine curiosity: a recording of what is likely among the earliest recordings of the Great Highland Bagpipe played alongside other (non-bagpipe or percussion) instruments. This 78 RPM shellac (pre-vinyl) recording from 1928 stars a luminary from one of the great piping families of the last 200 years in Donald Ross (“D R”) MacLennan.
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John MacFadyen plays “A Flame of Wrath for Squinting Patrick”

Here’s another tune offering from the late John MacFadyen, the Donald Mòr MacCrimmon composition, Lasan Padruig Coagach, known to so many of us as, A Flame of Wrath for Squinting Patrick. A singularly wild tune with nothing quite like it in our current repertoire.
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Great Piping: P/M William “Billy” Gilmour

I’ve known about Billy Gilmour and his marvellous musical abilities for almost as long as I’ve been piping. Early on in my musical education I luckily found myself in the orbit of The 48th Highlanders of Canada. Through my lessons with my great first teacher, George Walker, I landed in the band – yes, for a little while, but a great while.
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Angus MacPherson, Invershin: A 1957 visit with a great tradition-bearer

An interesting recording found me not so long ago. A buzzy interview (as in sound distortion) with Angus MacPherson, Invershin from 1957. I thought the near-half hour talk inspiring. This surprised me. On reflection: Here was a man in his ninth decade talking about life – and piping (of course) – imbued with the earliest echoes of the piobaireachd and the culture of that time.
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