Bagpipes and Inuit Tradition

People who love bagpipe music also love to deliberate what makes good bagpipe music. It happens in solo piping all the time (“Ooh, did you hear how s/he played the first variation of Mary MacLeod? Rubbish. Clipped to hell…”).

But, really, its when pipe band music is talked about that we most often hear the most intense debates. I guess its due, in part, because there’s more people involved. I think, though, its more the sports-like, hyper-competitive, team elements that characterize the pipe band movement that makes for the fertile ground of relentless pipe band music debate.
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Those Who Can, Teach

The world’s population is roughly 6,697,254,041. Of those people, I figure, based on what I know, what I’ve read and what I sense to be true (so we’re talking science here) there’s about 100,000 of us Great Highland Bagpipers (GHBs).

And what’s that percentage? GHBs represent about 0.0014931492726393354 of the world’s population. More or less.

Should pipers feel vulnerable? I think I really refer to the pipe and not the piper so, I put it this way: is the playing of the GHB an at-risk art form?
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A New Kind of Pipe Band

The last couple of weeks have seen a surprising spike in the disappearance of drum corps leadership around the world. I know it’s a temporary moment of change for all affected bands and a coincidence that so many top bands have experienced big drum corps change but…I wonder.
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What Makes a Good Pipe Band Score Sheet?

Having been around the game a while it sort of stands to reason that I will have seen a whackload of pipe band “score sheets”; you know, those near-impossible to read pages (sometimes due to penmanship) passed to bands following the announcement of results. And yay, reason prevails: I have.

It’s on these pages that bands usually learn what adjudicators thought of their competitive performance – and, by the way, it’s from these pages that pipebandspeople generally judge adjudicators. I’m a sentimental sort, believe it or not, and have, truth be told, quite a few pages dating back to my earliest times with bands laying around the old archives – and some recent artefacts, too.
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Gimme Shelter

This is Worlds week and as usual the city of Glasgow is thronging with pipers and drummers and all kinds of related Piping Live! events. It’s looking like a damp week (to put it mildly) is in store for pipers and drummers. Between “heavy rain showers”, “light rain showers” and “light rain” the cape carriers of the pipe band world will be sure to be under-employed. A good thing a lot of the Piping Live! events are either indoors or under cover.
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Just as I Would’ve Played It

A while back I was going on about how I thought most of us go about listening to music – specifically, bagpipe music. My ramble was around how we should try and get over the discomfort we feel (that’s the delicate way of putting it) when we hear musical interpretations outside of what we’re used to hearing – or playing.
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Bring on the Giraffes: Blair Drummond

Have you ever considered, thought about, reflected on, what pipe tune you may’ve have played the most in your life? What melody you, as a piper – or, as an accompanist, a drummer – have played more than any other? Have wiggled your fingers, twisted your wrists, and aimed to be true to the score of more than any other that was ever written? I have. And my burned-on-the-brain, firmly committed-to-muscle-memory, impaled-on-the-hard-drive? Well, here’s a hint: it’s the name of a Scottish “safari park”.
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Poetic Passion

A thought today, just as we enter the fray of the sometimes twisted piping/pipe band “music season”:
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Play the Sweet Music (You Like)

I was driving to band practice this morning and happened on a really interesting interview on the radio.
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Listening With Open Ears

After pouring out their heart and soul and doing their best to play music for judges pipers often – very often – hear (or read on score sheets) comments like this: “Not the way I prefer to hear this tune,”, “Not the way I was taught this tune” and, if the judge is in high rotation (read: hired a lot more than s/he probably should be for their good health), “Not as good as I heard you play last week”. I can tell you I have had all of these comments – and a lot more – on my own crit sheets.
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