Can I Have Your Postal Code?

A whinge today. No two-ways about it. That’s what it is. And, a rarity, completely unrelated to bagpipes or pipe bands.
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Keep the Flags at Home

The big day has come and gone. The 2011 World Pipe Band Championships will surely stand as the best ever. What fantastic virtuoso performances and delivered, too, by bands across a hugely wide breadth of the contest. Every band seemed to play varying degrees of great.
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Get Your Bag On

No surprise that I’m about to say I believe it’s a special (different, out-of-the-ordinary, etc) kind of person who’s attracted to playing the Great Highland Bagpipe. Loud, brash, hard to keep quiet and sometimes offensive – and I’m talking the instrument and not (necessarily) the player here – it seems to me shy folk are not generally attracted to playing bagpipes. Yes, exceptions to every rule but I say the bagpipe world is full the eff up with “type A” personalities (drummers included, here, too, but they’re another story).
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When the Heat’s On

For anyone who has to regularly play their bagpipes in a place that’s hot, well, you may already know this secret.
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Thank You / Gracias / Merci / Tapadh leibh / Grazie

A rare and wonderful thing happened yesterday. At Georgetown highland games we saw a most deserving public thank-you [understatement].
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A Comparative Look at Pipe Band Ensemble

Here’s a copy of the slides I used in the talk I presented at the Pipers’ & Pipe Band Society of Ontario’s annual adjudictor’s seminar, March 21, 2011, in Milton, Ontario.
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Copyright this Way

A week or so ago I led a talk at the annual judge’s meeting of the Pipers’ & Pipe Band Society of Ontario. The day’s always a good one. At the very least it’s a great gathering of old friends and acquaintances and at it’s best its a really insightful exchange of ideas and perspectives.

Anyway, my bit was a comparative look at pipe band ensemble. I checked out competitive orchestras – yes, they do compete – American high school concert bands and British brass bands. I learned a lot in my seeking out of information related to other competitive musical worlds. For instance, I can now tell you with great certainty that it’s scarily, freakishly and jaw-droppingly amazing how close the British brass band world mirrors that of the pipe band. Maybe a blab for another day.
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Humility and Grace

It seems to me that one of the hardest lessons to learn in the competitive piping game – or life, for that matter – is around winning – and losing. “Win with humility and lose with grace”, goes the old saying. Like just about every other piece of well-kent advice of the proverbial sort, well, it’s all easier said than done. Think of the Golden Rule or “ethic of reciprocity”: Do unto others as you would have them do unto you. If that simple tenet of human rights was easy-peasy to make happen we’d all be living in a Utopian Shangri-La.
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Japanese Cinema and Pipe Bands

Now there’s a subject line you probably never imagined.

I always thought those old cheesy Japanese movies from the 1950s might benefit from a little kick, a little something to give them a boost. I’m not talking Seven Samurai or Rashomon here, I’m talking about movies like those from the Godzillaand Mothra franchises (did they call ever call old movie serials “franchises”?).

Anyway, I thought how great it would be for one to snag a pipe band soundtrack, music to go along with the badly dubbed English.
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Responsibilities of Membership

I came across a note recently where a person was enquiring about membership in a band. They were interested in this band because they wanted to “get better”. This person needed the band “to kick their arse” so that they’d play better, be better.

I thought this strange. I thought this person had the whole thing backwards.
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