Maxville Games 1949 / What’s their secret!?

In undertaking some other work related to this coming weekend’s North American Championships, the Glengarry Highland Games at Maxville, Ontario, I stumbled on an interesting broadsheet page from Glengarry County Archives. This edition of the paper is full of interesting facts and colour related to the 1949 games, including, one back-page story headline, a real eye-waterer for pipers, especially: “Ottawa Girl Loses 3 Fingers While on Vacation”. You will see most of the games’ headline reporting lands on the front page (photo from front page included here).
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In Praise of Round Reels

I’ve always been a big fan of “roundish” bagpipe reels. Not every reel suits this style but when I say “roundish” I’m talking about tunes that are less dot-cut and more even; that is, where time is more evenly distributed. In saying “dot-cut” I’m referring to a figure of notes where a note steals time from the note next to it and so the thief note is held longer than the victim note (and apologies for the strained metaphor).
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Invented by pipers: Competition 2/4 Marches

Here’s a couple of tunes that number among my favourite: Inveran, made by one of the greatest pipers – dare I say musician – to ever live, George Stewart McLennan and Millbank Cottage by William Dumbreck, a man who held the title of Pipe Major in two regiments: The Black Watch and The Royal Scots.

This style of tune – intricate and heavily embellished with many technical figures – is a branch of pipe music that we can safely say was invented by pipers. Pipers love strathspeys but we know they were born of the fiddle. Jigs? Who knows but they likely sprung from any number of fiddlers, whistle-players and nimble singers of puirt à beul.
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MacCrimmon’s Sweetheart with Canntaireachd

A piece of music that is in the back pocket of most experienced players of piobaireachd is the tune, Maol Donn. Better known, maybe, as “MacCrimmon’s Sweetheart”. It’s a beautifully assembled composition that sits perfectly in a major key of the Great Highland Bagpipe’s tonal centre. In the context of piobaireachd composition, it’s a very old tune, likely composed in the early part of the 18th century, a golden age of piobaireachd creation. At around 12 minutes in length it’s just-right for an around-the-games sort of tune for competition.
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D R MacLennan: Solo piping innovation in 1928!

On the last day of the calendar year I offer a genuine curiosity: a recording of what is likely among the earliest recordings of the Great Highland Bagpipe played alongside other (non-bagpipe or percussion) instruments. This 78 RPM shellac (pre-vinyl) recording from 1928 stars a luminary from one of the great piping families of the last 200 years in Donald Ross (“D R”) MacLennan.
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John MacFadyen plays “A Flame of Wrath for Squinting Patrick”

Here’s another tune offering from the late John MacFadyen, the Donald Mòr MacCrimmon composition, Lasan Padruig Coagach, known to so many of us as, A Flame of Wrath for Squinting Patrick. A singularly wild tune with nothing quite like it in our current repertoire.
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Great Piping: P/M William “Billy” Gilmour

I’ve known about Billy Gilmour and his marvellous musical abilities for almost as long as I’ve been piping. Early on in my musical education I luckily found myself in the orbit of The 48th Highlanders of Canada. Through my lessons with my great first teacher, George Walker, I landed in the band – yes, for a little while, but a great while.
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Màiri Mhòr nan Òran at The Northern Meeting, Inverness

When in Inverness, Scotland a couple of weeks ago to take in The Northern Meeting solo piping competitions (meaning, to judge a couple of the events). I found myself, in advance of the contests, with some time on my hands. Even the most piping-mad people need a break from the gathering’s fine piping sounds. And, so, I did.
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Angus MacPherson, Invershin: A 1957 visit with a great tradition-bearer

An interesting recording found me not so long ago. A buzzy interview (as in sound distortion) with Angus MacPherson, Invershin from 1957. I thought the near-half hour talk inspiring. This surprised me. On reflection: Here was a man in his ninth decade talking about life – and piping (of course) – imbued with the earliest echoes of the piobaireachd and the culture of that time.
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Scenes from Cambridge Highland Games (1989!)

I’ve just had a bag full of old VHS videos digitized. They’ve been kicking around collecting dust for years; after having sourced a place for a digitization job for The Pipers’ & Pipe Band Society of Ontario, I thought I’d get my lot done at the same time.
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