Joints

It’s summer, the pipes and drums are in high gear, and the games are afoot.  It’s also the time of year we put our instruments (and ourselves) under their biggest tests - under stressful and, usually, trying conditions.   Wind, rain, sleet, cold, hot, “gloom of night“ – we perform under the full gamut of weather conditions.  We’re the “postpeople” of the music world.  Rarely do we get that perfect, cloudless 21 degree performance day.  But we always aim to deliver. 
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A Jig, “Jenny Hazzard”: Score & Sound File

I’ve had a couple of notes from people looking for “more jigs”.  So for the jig hounds here is a 4-parted 6/8 jig, “Jenny Hazzard”, from “Old & New Tunes“, published 1995.   I’ve played this in solo jig competitions with success and I’m pretty sure Peel Police Pipe Band played a couple of parts in a competition medley when I was PM in the mid 90s. 
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A Competition Strathspey: “The Blue Heron” (Score & Sound File)

This tune comes from my third collection of tunes, “Old & New Tunes” (1995). The Blue Heron is a competition-style strathspey.  Continue reading A Competition Strathspey: “The Blue Heron” (Score & Sound File)…

A New Hornpipe: “Sliding into Colintraive” (Score & Sound File)

Yet another tune from the fifth book, “Music for Everybody”; this time, “Sliding into Colintraive”. This hornpipe is the kind of tune my great teacher, the Aberdonian, George Walker, would call, “hillbilly music”. To George, anything uptempo and easily played on the fiddle would usually fall under the hillbilly category. I remember playing what I could at one Toronto Knock-out final: lots of Cape Breton reels to finish – lots of sweat. George was there and came by as I was putting the pipes away, “Ach, metty, fine playin’ but all that hillbilly music!”
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A New March: “The Valley Train” (Score & Sound File)

Here’s a very simple 3/4 march you may find interesting, “The Valley Train”, another tune from my fifth book. I should really have called it “The Dundas Valley Train”. That might’ve made the title a little more specific, a little more accurate, a little more meaningful – you know, the markers of good composition!
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Overcoming Real Challenges (John Wilson)

One of my prized “piping possessions” is a signed copy of John Wilson’s autobiography, “A Professional Piper in Peace and War”: the front page, inscribed in broad strokes, “With all good wishes, Michael, from the author, John Wilson, 13th, January, 1979″. Sweet. 
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Old Judging Tips Still Fresh

Pipers are some of the most competitive-minded people on the planet.  Gather a few pipers, throw a shoe box up for grabs (a functional, if not stylish, trophy), find a judge and, voila, you’ve got the makings of a grand solo piping event.

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A New Jig: “Well Away” (Score & Sound File)

I knew I’d been away too long from these pages when it took me 20 minutes to track down the once-memorized dunaber login and password. Thanks to the notes on my trusty Blackberry: found. Continue reading A New Jig: “Well Away” (Score & Sound File)…

Technical Style

When it comes to technique there’s no one single, absolute and correct way to make things happen. By “things“, I mean the effective movement of fingers. “Technique”, simply stated, is the way we move our fingers to allow just the right amount of air to flow out of our melody-making chanter, the right amount of air to make gracenotes sound and appropriately place rhythmic flourishes (also known as embellishments). To me, that’s technique. Dead simple.
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Solo Piping on an Edinburgh Stage

OK. It’s July. It’s summer. And I’m a bit lazy. Better to be outside than at the computer, I think. So I havn’t been all that attentive to this spot. My good intentions have been washed away by good weather, among other things. Continue reading Solo Piping on an Edinburgh Stage…